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Home - Cinema - Priya Anand on ‘Balaramana Dinagalu’: ‘Kannada Has Become Part of My Everyday Life’

Cinema

Priya Anand on ‘Balaramana Dinagalu’: ‘Kannada Has Become Part of My Everyday Life’

Last updated: June 16, 2026 3:56 pm
Prosenjit Barman
By Prosenjit Barman - Founder at Indya Story
20 minutes ago
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6 Min Read
Actress Priya Anand discussing her role in Balaramana Dinagalu and her connection with Kannada cinema
Priya Anand says Kannada has become an important part of her life as she prepares for the release of Balaramana Dinagalu.
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Actress Priya Anand has built a unique place for herself in Kannada cinema over the years. While successfully balancing projects across Tamil, Telugu, Hindi, and Kannada film industries, she has consistently returned to Kannada films, creating a strong connection with audiences in the state.

Contents
A Special Bond with Kannada AudiencesExpectations Surrounding ‘Balaramana Dinagalu’Priya Anand Praises KM Chaitanya’s VisionA Strong and Independent CharacterYears in the MakingKannada Cinema’s Growing ReachLooking AheadFinal Take

Now, the actress is preparing for the release of Balaramana Dinagalu, director KM Chaitanya’s much-awaited gangster drama, scheduled to arrive in theatres on June 26.

Speaking about her journey and the upcoming film, Priya says Kannada is no longer just another language she works in—it has become a natural part of her everyday life.

A Special Bond with Kannada Audiences

Priya Anand has appeared in several popular Kannada films, including:

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  • Orange
  • Raajakumara
  • James
  • Karataka Damanaka

Through these projects, she has developed a loyal fan base and a lasting connection with Kannada moviegoers.

Unlike many actors who occasionally work across industries, Priya’s regular presence in Kannada cinema has helped her become a familiar face among audiences.

Her continued association with the industry has also allowed her to experience its growth and evolution firsthand.

Expectations Surrounding ‘Balaramana Dinagalu’

The upcoming film has attracted attention due to its association with filmmaker KM Chaitanya, whose acclaimed 2007 film Aa Dinagalu remains one of the most respected gangster dramas in Kannada cinema.

Naturally, comparisons between the two films have emerged ahead of the release.

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However, Priya believes audiences may discover something deeper than a conventional gangster narrative.

According to the actress, Chaitanya’s storytelling style focuses heavily on the emotional and human aspects of characters.

Priya Anand Praises KM Chaitanya’s Vision

Discussing the director’s approach, Priya highlighted his ability to explore emotional layers within complex characters.

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She explained that while many viewers remember Aa Dinagalu for its crime and underworld backdrop, the film also stood out because it portrayed the human side of its characters.

According to Priya, this sensitivity continues to define Chaitanya’s filmmaking.

She believes his understanding of people and relationships naturally reflects in the stories he chooses to tell.

A Strong and Independent Character

One of the key reasons Priya joined Balaramana Dinagalu was the opportunity to portray Revathi, a character she describes as strong and multidimensional.

The actress emphasized that Revathi is not written as a passive character dependent on others.

Instead, the film presents women with their own strength, agency, and emotional depth.

Priya noted that just as the male characters are shown with vulnerabilities and complexities, the women in the story are also given meaningful arcs and significant presence.

For her, this balanced representation was one of the project’s biggest attractions.

Years in the Making

The actress also expressed admiration for the dedication shown by the film’s creative team.

She revealed that the project has been developed over several years, with considerable effort invested in shaping the narrative.

Being part of a film that was carefully crafted over an extended period made the experience particularly rewarding.

Priya added that the anticipation surrounding the project has only increased because KM Chaitanya has not revisited this storytelling space since Aa Dinagalu.

Kannada Cinema’s Growing Reach

Over the past decade, Kannada cinema has gained increasing recognition on the national stage through critically acclaimed and commercially successful films.

The industry has expanded its reach by embracing diverse storytelling styles while continuing to celebrate regional culture and identity.

Actors like Priya Anand, who work across multiple industries, have played an important role in strengthening these connections and introducing Kannada films to wider audiences.

Looking Ahead

With Balaramana Dinagalu gearing up for release, expectations remain high among fans eager to see KM Chaitanya return to a genre that helped define a significant chapter in Kannada cinema.

For Priya Anand, the film represents another important milestone in a career that continues to span multiple languages and audiences.

As she prepares to bring Revathi to the big screen, the actress remains grateful for the support she has received from Kannada viewers over the years—a connection she says has become an integral part of her life.

Final Take

Priya Anand’s association with Kannada cinema continues to grow stronger with each project. Through Balaramana Dinagalu, she hopes audiences will connect with a story that goes beyond the conventions of the gangster genre and explores the emotional depth of its characters.

With a respected filmmaker, a compelling narrative, and strong performances at its core, the film is positioned as one of the notable Kannada releases of the season.

TAGGED:Aa DinagaluBalaramana DinagaluFilm ReleaseKannada CinemaKannada MoviesKM ChaitanyaPriya AnandPriya Anand InterviewSandalwood news
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ByProsenjit Barman
Founder at Indya Story
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Prosenjit Barman is an entrepreneur and journalist covering Bollywood, startups, and media. He is the Founder of Indya Story, and a frequent contributor to The CapTop, where he explores the stories of India’s most innovative founders.
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